Weng Marc Lim defines the ‘selfie’ as “a self-expressive photograph featuring the photographer as the primary individual” in a “background that is consciously created, modified and shared with others”.
Media frames in the context of mass-media communication refers to the way interpretations of a message are encouraged or discouraged. It was first introduced by Erving Goffman in 1974 through his book, ‘Frame Analysis’.
A frame is a set of meaningful signs connected to specific types of social action. Together they create a 'logic' of action and make the action understandable for those involved in it.
The anonymous artist Banksy has used the ruins of Ukrainian cities as his canvas to make a statement about the ongoing war. This article dives into the meaning of Banksy's art and how art can be a critical reflection of our world.
Being a conservative political commentator, show host, and writer, Ben Shapiro has become one of the most famous American influencers. He is a prime example of how right-wing metapolitical influencers use digital media to make their mark on public discourse.
This paper describes how one specific influencer, Ghislaine Handiri, presents herself as authentic on Instagram and how Instagram as a mediator influences and shapes her authenticity.
Following the controversial broadcasts of Ongehoord Nederland, temporary Twitter communities quickly arise. Can we consider these communities as 'thick'? Or are they more 'light' in nature? This article uses ethnomining to find out.
Despite getting banned several times on a wide variety of online platforms, Andrew Tate continues to gain influence online. This article analyses Andrew Tate’s online presence, to show how he deploys his media literacy to spread his ideas.
This article shows how easily consumable trends such as “He’s a 10 but…” contribute to building dating discourse around an unachievable ideal and actively invite the audience to judge the statements made by the women involved in these interviews.