De noordelijke renaissance wordt vaak gezien als een 'slaafse' navolging van de Italiaanse Renaissance. Dit 'digitale museum' verandert dat beeld door te laten zien dat de noordelijke Renaissance op zichzelf een unieke schepping is.
Shirkers (2018) is a documentary about athe mysterious personal experience of Sandi Tan, the filmmaker herself. Based on cognitive frame, this paper analyzes the textual, contextual, and real-world referential signals of 'Shirkers' (2018).
#womeninstreet celebrates female street photography. With women still being commodified and objectified in public spaces in society, the camera helps to turn the gaze around. Therefore, the female street photographer is seen as the flâneuse.
The case of Jordan Peterson demonstrates that in today’s public spheres, the figure of the public intellectual is not necessarily free from ulterior motives in filtering information for the general public.
This article analyses the communication and social media strategy of the Italian populist leader Matteo Salvini. How does he and his party use social media to create a community, spread anger and get consensus. Read this article to find out!
The public sphere has been controlled by humans for years, but in the last decade, there has been a shift from human gatekeepers to algorithmic ones. This essay describes the consequences this algorithmic culture has for the public sphere.
There is limited data available on algorithms leading to political echo chambers. This paper examines the use of Facebook and Google and the algorithmic system behind both platforms. What are the consequences?