Studio Ghibli movies, of the Japanese director Miyazaki, are famous all over the world. Together with the breathtaking scenes, his formalistic approach, and the complex narratives, sublimity is reached in many of his animation movies.
This essay explores the confusion that was ignited by the film I'm Still Here (2010) by analysing its form, purpose and content and comparing it to other forms of film.
How much truth can we find in fictional representations of history? This paper explores the real and fictional elements in Chrsitopher Nolan's Dunkirk, and how they work together to immerse its audience in the historical event.
