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This essay explores the confusion that was ignited by the film I'm Still Here (2010) by analysing its form, purpose and content and comparing it to other forms of film.
How much truth can we find in fictional representations of history? This paper explores the real and fictional elements in Chrsitopher Nolan's Dunkirk, and how they work together to immerse its audience in the historical event.
How a 'fake documentary' can be truthful. Ulrich Seidl's film, 'Sarafi' reveals the truth about tourist-hunters in Africa.