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Shirkers (2018) is a documentary about athe mysterious personal experience of Sandi Tan, the filmmaker herself. Based on cognitive frame, this paper analyzes the textual, contextual, and real-world referential signals of 'Shirkers' (2018).
The documentary is both a bold political statement and a direct experience of European borders that helps to shape a more positive attitude toward refugees.
How a 'fake documentary' can be truthful. Ulrich Seidl's film, 'Sarafi' reveals the truth about tourist-hunters in Africa.