fiction

How Fleabag uses the fourth wall to create intimacy

Paper

Idhuna Pastoor

07/10/2020

21 minutes to read

This article explores how the series Fleabag destroys the fourth wall and what this means for the relationship between the viewer and Fleabag.

The Crown: historically accurate or pure fiction?

Article

Tara van Dijk

11/11/2020

15 minutes to read

The Crown has become one of the most popular shows on Netflix and it has been praised for its accuracy. The show balances between historical accuracy and fictional elements. This article analyzes the balance the show strikes as a docudrama.

Julian Barnes’ The Man in the Red Coat: Celebrity Culture in the Belle Epoque (Julian Barnes)

Review

Odile Heynders

10/04/2020

8 minutes to read

In his latest novel, Julian Barnes combines biography, art history and cultural analysis in a hybrid form of fact and fiction. The Man in the Red Coat shows that there is much real life in literature and much fiction in reality.

Dunkirk: History Re-created for the Big Screen

Paper

Fernanda Delgado

09/11/2018

14 minutes to read

How much truth can we find in fictional representations of history? This paper explores the real and fictional elements in Chrsitopher Nolan's Dunkirk, and how they work together to immerse its audience in the historical event.

Why does everyone in Star Wars speak English?

Article

Philip Seargeant

31/08/2017

8 minutes to read

The representation of Galactic Basic by English reflects the rise of English as a global language – and in doing so paints a very different picture from the utopian ideals of other universal language advocates.

The Theorist’s Fear of the Undefined

Academic paper

Suzanne van der Beek

22/02/2017

7 minutes to read

Many theorists have tried to define the literary fantastic – without great success. Maybe this question should remain unanswered as a reminder of our fear of the theoretically unknowable.

The constructed history of Robert F. Kennedy

Paper

Stefan Voeten

14/09/2016

19 minutes to read

This essay examines Robert Kennedy's autobiographical Thirteen Days. Examined is how this book compares to history, how it works as a constructed narrative, and how the notion of autobiographical truth works in it.