This paper aims to find ways in which the existing narratives about Janis Joplin's life and legacy, where she is portrayed as a 'little blue girl' could be reframed and reinterpreted by the concept of the inner child.
Full Motion Video (FMV) games, which were popular in the early and mid-nineties but then became outdated, are making a surprising comeback. The lack of interactivity the genre is often derided for is precisely its strength.