Studio Ghibli movies, of the Japanese director Miyazaki, are famous all over the world. Together with the breathtaking scenes, his formalistic approach, and the complex narratives, sublimity is reached in many of his animation movies.
This article analyses cosplayer culture. It shedslight on who the cosplayer is, what they do, their norms and career in both an on- an offline environment.
This paper explores how the term anime is culturally defined and if there is a difference in how people who are part of the Western anime fandom classify anime as opposed to people who aren’t.
