This essay will focus on how this Eurovision can be seen as a political and intermedial event, and how the music contest, besides entertainment, is used as political influence worldwide.
This article examines how the Eurovision Song Contest can become a platform for contestants to make political statements through their performances and the curation of their identities.
The Eurovision finale last Saturday sparked controversy regarding cultural appropriation by the winner. The online reception of this event is very revealing with respect to the politics of representation of our time.
