The movie 'Eurovision Song Contest: The Story of Fire Saga' is a fictional story about two artists competing in the Eurovision Song Contest, situating itself at an interesting intersection between fiction and real-life.
Globalization has changed the production of music. In this paper, we explore the way in which world politics appear in local music and how audiences engage with this, through two case studies of songs by De Staat and The 1975.
The infamous line '100% that bitch' from hit song 'Truth Hurts', made rapper Lizzo one of the biggest names in music today. Her success story is closely connected to the current phase of globalization.