This paper explores the ways in which the transmedial extensions of Halsey's concept album Hopeless Fountain Kingdom function as both a means of artistic exploration, as well as promotional tools.
This essay investigates how the painting ‘The Lady of Shalott’ (1888) by John William Waterhouse is a form of intermediality. Discussed will be what form of intermediality can be found here, how it works, and the effects it entails.
In dit essay worden de verschillende media en disciplines binnen de dansfilm Voices of Finance - een film die geïnspireerd is op de banking blog van Joris Luijendijk - onderzocht, geanalyseerd en geïnterpreteerd.
