People all around the world discover the topic of Chernobyl and rethink the tragedy of 1986 through works of art connected to nuclear energy, information, and politics. How does art creation on a global scale remind us of the tragedy?
This article explores how the art hoe movement, meant as a space of creative expression for PoC (People of Colour) artists, got whitewashed into a mere aesthetic disconnected from its origins.
The necessity of the powerful practice of menstrual activism is deliniated in this column, which discusses its development and achievements, a personal opinion on its influence and its presence in the contemporary artistic sphere.
Death is part of the human condition. Through time, people have tried to cope with death through rituals and arts and each age seems to have a dominant attitude towards death - the so-called death mentalities.
The series Sense8 is interesting in the context of globalization because it presents a lot of the aspects of a network society. This article analyses the link between the series and a network society.
Yinka Shonibare plays with his hybrid identity as a British-Nigerian artist. In this analysis of 'The Swing', his layered cultural identity shines through.
