This paper discusses the diverse range of meanings and interpretations that can be discovered in/ projected onto Sun Yuan & Peng Yu’s artwork Can’t Help Myself by providing the reader with various points of comparison.
In this article, I will explore how dark academia can be defined as a taste regime and how specific practices relate to the investment in practical knowledge in order to gain capital on social, economic, and cultural levels.
Migration is one of the most important issues in our society, the migrant identity can be approached from many different angles. We will focus on the use of the migrant identity in art in relation to the image as portrayed in the media.
Seeing images every day wears us out. Art’s capability to translate experiences to materiality can help us see the world in a way that connects us to ourselves, the world, and the other.
The Oscar-nominated documentary 'Winter On Fire: Ukraine's Fight For Freedom' aims at showing the revolution in Kyiv by applying truthful and staged elements as a method to represent political discourse.
People all around the world discover the topic of Chernobyl and rethink the tragedy of 1986 through works of art connected to nuclear energy, information, and politics. How does art creation on a global scale remind us of the tragedy?
This article explores how the art hoe movement, meant as a space of creative expression for PoC (People of Colour) artists, got whitewashed into a mere aesthetic disconnected from its origins.
