Transmedia Storytelling is a concept that explains the distribution of media content across multiple media platforms. In a multi-layered media landscape, content is no longer confined to one medium, but rather works across media boundaries.
Media frames in the context of mass-media communication refers to the way interpretations of a message are encouraged or discouraged. It was first introduced by Erving Goffman in 1974 through his book, ‘Frame Analysis’.
Hyperlinks are links from one hypertext document to another and usually consist of a highlighted word, phrase, or image. The term was used and elaborated on by Juliette De Maeyer in her article, 'Towards a hyperlinked society: A critical review of link studies'.
A frame is a set of meaningful signs connected to specific types of social action. Together they create a 'logic' of action and make the action understandable for those involved in it.
Studio Ghibli movies, of the Japanese director Miyazaki, are famous all over the world. Together with the breathtaking scenes, his formalistic approach, and the complex narratives, sublimity is reached in many of his animation movies.
This paper explores the positive and negative effects of representation that we see in TV programs or movies and discusses Encanto and Emily in Paris as examples that do it right and wrong.
De democratie is in verval. Kunnen we literaire fictie gebruiken om het tij te keren? Odile Heynders bespreekt 'Hoe ik talent voor het leven kreeg' van Rodaan Al Galidi en 'Het uur van de olifant' van Otto de Kat om antwoord te geven.
This paper explores the ways in which the transmedial extensions of Halsey's concept album Hopeless Fountain Kingdom function as both a means of artistic exploration, as well as promotional tools.
This paper discusses the content on the Instagram account Zeikschrift and explores how Madeleijn van den Nieuwenhuizen uses the digital vigilantism practices 'calling out' and 'naming and shaming' to criticize and reshape various Dutch media.
The content on fake news websites might not be considered journalistic, these websites do use journalistic terminology. To understand how, we analyze the website of De Nieuwe Media.
This paper examines Zuboff's "Big Other" and proposes to change this metaphor to "Web of Eyes" in order to stimulate a discourse that accounts for recognizing human self-responsibility and agency in this age of continuous surveillance.