Transmedia Storytelling is a concept that explains the distribution of media content across multiple media platforms. In a multi-layered media landscape, content is no longer confined to one medium, but rather works across media boundaries.
Media frames in the context of mass-media communication refers to the way interpretations of a message are encouraged or discouraged. It was first introduced by Erving Goffman in 1974 through his book, ‘Frame Analysis’.
Hyperlinks are links from one hypertext document to another and usually consist of a highlighted word, phrase, or image. The term was used and elaborated on by Juliette De Maeyer in her article, 'Towards a hyperlinked society: A critical review of link studies'.
Studio Ghibli movies, of the Japanese director Miyazaki, are famous all over the world. Together with the breathtaking scenes, his formalistic approach, and the complex narratives, sublimity is reached in many of his animation movies.
De democratie is in verval. Kunnen we literaire fictie gebruiken om het tij te keren? Odile Heynders bespreekt 'Hoe ik talent voor het leven kreeg' van Rodaan Al Galidi en 'Het uur van de olifant' van Otto de Kat om antwoord te geven.
This paper discusses the content on the Instagram account Zeikschrift and explores how Madeleijn van den Nieuwenhuizen uses the digital vigilantism practices 'calling out' and 'naming and shaming' to criticize and reshape various Dutch media.
This paper examines Zuboff's "Big Other" and proposes to change this metaphor to "Web of Eyes" in order to stimulate a discourse that accounts for recognizing human self-responsibility and agency in this age of continuous surveillance.