Shirkers (2018) is a documentary about athe mysterious personal experience of Sandi Tan, the filmmaker herself. Based on cognitive frame, this paper analyzes the textual, contextual, and real-world referential signals of 'Shirkers' (2018).
In this paper, the two-dimensional forms of differentiation as documented in Paris is Burning will be discussed, with the aim to analyse how this shapes the ballroom culture.
Death is part of the human condition. Through time, people have tried to cope with death through rituals and arts and each age seems to have a dominant attitude towards death - the so-called death mentalities.
The Poetry Museum raises consciousness on the role of AR, art and the museum in the public sphere. It shows that online media has the ability to influence the public sphere but is inevitably linked to the offline culture to establish changes.
Churches close down because of the small number of parishioners and this tendency is an important marker for the position of religion in Western Europe. What happens when churches do not attract the same numbers of believers anymore?
Whether pictures of his middle finger in front of national buildings or a recreation of a drowned refugee, Ai Weiwei is not afraid to shock and confront people with his art works.
